Below is a statement from the Muslim rights Concern group,
MURIC, expressing displeasure at the recent music video,
‘This is Nigeria’ by rapper, Falz the Bahd guy;
Folarin Falana (Falz the Bahd Guy), a Nigerian artist, last
week released a new song called ‘This is Nigeria’. The
production featured a character that dressed like a Fulani
man, who suddenly abandoned his traditional guitar and
beheaded a man. It also portrayed women in hijab as
choreographers dancing the ‘shaku-shaku’ (a dance
associated with a drug-related song).
The Muslim Rights Concern (MURIC) strongly denounces the
Shaku Shaku dance video. It is thoughtless, insensitive and
highly provocative. It is a hate video. It is Islamophobia nulli
secundus. This video has the potential of causing religious
crisiS of unprecedented dimension. We therefore demand its
withdrawal and an apology to Nigerian Muslims within seven
days or the authors and their agents will face legal action if
they fail to comply.
The video manifests ethnic bias against Fulanis while it
ignored the criminal activities of ethnic militia of the Middle
Belt who have also massacred Fulanis and rustled their
cattles in their thousands.
This video has denigrated Islam, demonized Nigerian Muslims
and subjected them to public opprobium.
MURIC rejects Falz’ explanation that the the girls in hijab in
his ‘Shaku Shaku’ dance symbolize the Chibok girls because
nothing in the video indicates that the girls represent the
Chibok girls.
At least none of the Chibok girls have been seen dancing like
a drunkard. They are always in pensive mood. Do they have
any cause to be dancing? Are they happy? This video is the
most detestable, odious and insidious Islam-bashing in
recent time.
Only the scenes portraying police brutality and the money-
swallowing snake in the video are near the truth. Falz’
‘Shaku Shaku’ video is nothing but a hate-induced
production. It is a most unpatriotic handiwork of a Nigerian
youth in 2018.
Here is the work of a youth working towards turning
Nigerians against each other; a youth inciting Nigerian
Christians to hate their Muslim neighbours; a youth
instigating Muslims to religious violence. This video is in bad
taste.
It is a hate video. It is an assault on the self-dignity of
every Muslim. It is freedom of expression gone haywire.
We call the attention of security agencies to this hate
action. The tragedy facing modern societies all over the
world is their criminal complicity in Islam-bashing and their
hypocritical accusation of Muslims of terrorism and religious
violence.
On the contrary, terrorism is mere smoke. Provocation,
derision and injustice are the fires which cause terrorism.
We reiterate our pontification that it is naïve for a fire
fighter to ignore the fire and turn his hose at the smoke.
The world is treating symptoms, leaving the real ailment to
fester.
We remind Nigerians of the outcome of similar provocative
actions in the past and their unpalatable outcomes. The
violent reaction of Nigerian Muslims to Fun Times magazine’s
blasphemous story of December 1990 in which it was alleged
that “Muhammad had an illicit affair with a woman of easy
virtue according to the Qur’an and later married her” shook
the country to its foundation.
Isioma Daniel’s article, “The World at Their Feet” published
in ThisDay newspaper on Saturday, 16th November, 2002,
drew the ire of Muslims across the length and breadth of
Nigeria.
Violent demonstrations broke out in 2005 when the Danish
newspaper Jyllands-Posten’s published a cartoon in which
Prophet Muhammad (peace be upon him) was depicted as a
terrorist wearing a bomb-laden turban.
In January 2015, Charlie Ebdo, the French satirical magazine
used cartoons that were considered provocative by Muslims.
Blood flowed on the streets of Paris.
We condemn violence and all acts of terrorism. But we do not
share the opinion that freedom of expression can go to any
length.
Even Pope Francis has warned people not to insult the faith
of others. He said, “It is normal. You cannot provoke. You
cannot insult the faiths of others. You cannot make fun of
the faiths of others. Freedom of speech and expression are
fundamental human rights. However, there should be a limit
to offending and ridiculing the faiths and beliefs of others.”
But has this advice been taken seriously? Nigerian Artistes
have consistently proved that they are most willing to ignore
the Pope’s advice. They provoke Muslims at the slightest
opportunity. They have this habit of giving Muslim names to
characters who play devilish, immoral and lowly roles in their
films, e.g. Sikiratu Sindodo, Jelili Oniso, Basira Baseje,
Osanle Modinat, Aminatu Pa-pa-pa are a few examples. Of
recent, Muniru and Ambali play despicable roles of idiocy.
The idea behind this is to make Muslims feel ashamed of the
ordinary Muslim name. It is inhuman, despicable and bully-
motivated. MURIC will defend the Muslim name with every
legitimate tool at its disposal.
There is no gainsaying the fact that a culture of impunity
pervades the arts in Nigeria. The National Film And Video
Censors Board (NFVCB), a regulatory agency set up by Act
No. 85 of 1993 to regulate films and the video industry has a
case to answer.
‘Shaku Shaku’ video was shot and released under its watch.
What is its alucutus. What will it say if Muslims elect to go
violent over this primitive, irresponsible and reckless
production? What will it say if hundreds of lives and
properties worth billions of dollars are lost in the ensuing
violence due to its negligence?
As we round up, MURIC warns Nigerian artists to stop giving
Muslim names to devilish and lowly characters. We appeal to
Muslims all over the country to simmer down.
Let us adopt a civilized approach to ‘Shaku Shaku’ and teach
agents provocateur some lessons in respect for human
feelings. Instead of going violent, Nigerian Muslims should
take those behind the ‘Shaku Shaku’ video to court in order
to serve as a deterrent to others.
We therefore give notice of impending legal action against
the artist behind the ‘Shaku Shaku’ video unless the latter is
withdrawn and an apology is widely published within seven
days.
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